For his first solo exhibition in Los Angeles, Ming Wong creates a series of videos and scenic backdrops that reconsider the making of Roman Polanski’s seminal 1974 film Chinatown. Shot at Redcat, Wong’s reinterpretation, Making Chinatown, transforms the space into a studio backlot and examines the original film’s construction of language, performance and identity. The… Continue reading Film: Making Chinatown, 2012