Nikolas Gambaroff, Untitled, 2011 and exhibition view of Tools for Living, 2012
Artist Nikolas Gambaroff work questions the process of painting and its support structures by deconstructing and re-evaluating traditional methods of production and display.
As Gambaroff himself puts it, “In my work I try to dissect, deconstruct, and re-evaluate (mainly within the limits of the activity painting) the customs, expectations and myths that painting as part of our visual culture brings along.”
Works that ostensibly echo the age-old impetus of subjective self-expression are, therefore, conceived as platforms through which to question notions of authorship, distribution and exposition alongside issues such as the social and economic value of art itself.
In addition, Gambaroff’s “staging of the space that a viewer experiences painting in” is designed less to highlight interplay amongst the works themselves, than focus particularly on “the problems of support structures in art (material/architectural but also ideological).”
The introduction of elements from ‘outside’ the traditional compass of painting provides further opportunities to deconsecrate and demystify painterly production in order to debate the mechanisms that confer artistic status.